

| Subject: | copyright/court ruling-no vanagon |
| From: | Randolph Feuerriegel |
| Date: | Fri, 5 Feb 1999 21:50:46 -0800 |
Greetings all. This is longish and straying from the original reason this thread started. It is about the licensing of images, the reproduction market of public domain works, which can affect museums and those who license their images. It is dry reading, but if you are interested, read on. A trade journal I receive (Art Business News) featured an article on photographic copyrights. Specifically, a 2nd Circuit Court of New York ruled that photos or transparencies of artworks no longer enjoy copyright protection. In short, Corel Corp. has issued a CD-ROM of digital reproductions of well known paintings by European masters. The works were generally in the public domain, however Bridgeman, a British licensing company claimed to have exclusive copyright licensing rights in the photographic transparencies of a number of the works found on the CD-ROM. They claim that Corel must have used its transparencies, and therefore infringed on its "new" copyrights which it claimed in the transparencies. The court ruled that Bridgeman did not have copyright in its transparencies. The Court reasoned: Underlying all copyright there must be a certain degree of originality. Even though the originality requirement is low, some protectable originality must exist. The Court then stated, "the new reproduction of a work of art in a different medium should not constitute the required originality." The question regarding the copyrightability of photographs, the Courts had this to say. "To be sure, much, perhaps almost all, photography is sufficiently original to be subject to copyright. Certainly, anyone who has seen any of the great pieces of photography...must acknowledge the photographic image of actual people, places and events as creative and deserving of protection as purely fanciful creations. But one need not deny the creativity inherent in the art of photography to recognize that a photograph which is no more than a copy of the work of another, as exact as science and technology permits, lacks originality. This is not to say such a feat is trivial, simply not original." Those excerpts are from the January 1999 issue of Art Business News Could be interesting if it ever goes to a higher Court. -- R.Feuerriegel 88 syncro Victoria BC
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